The month of Pride is here, and we’re eager to bring it into every aspect of our life!
We will share with you the movies that we watch for this month, all of the films we mentioned have a significant impact on us, and we believe you should see them as well.
Our mission this month is to share LGBTQ+ movies with you as much as possible.
So, check out similar content here: Best Sapphic Movies On Netflix To Watch During Pride Month
Disobedience is based on a woman named Esti Kuperman (Rachel Weisz). Esti, after her former rabb dad’s death, returns to her Orthodox Jewish family’s London house.
However, the life she has created for herself, as well as the beliefs of her family and surroundings, have changed. Esti’s faith struggle will arise when she rekindles her interest in a childhood acquaintance (Rachel McAdams), whom she hasn’t seen in a long time.
Sebastián Lelio directs the film, which stars Rachel McAdams, Rachel Weisz, and Alessandro Nivola.
Wil works as a surgeon and has a successful career. She spends most of her time at work and the rest of her time with her family. The young woman alternates between two separate roles as a result of contradictions between her mother’s and her environment.
After an unpleasant event, her mother, Ma, moves in with her daughter. After a short period of time, squabbles between mother and daughter emerge—the adventures of two women on the lookout for love.
La Vie D’adele
15-year-old Adele is certain of two things: she is a female, and females date males. Emma’s blue hair catches her eye in the huge plaza one day, and she recognizes her life is about to change. Adele focuses her eyes on herself and others when she is alone with her adolescent questions.
As a woman, as an adult, she experiences the love she feels for Emma. Adele, on the other hand, is unable to cope with herself, her family, or the new adventure. Léa Seydoux, Adèle Exarchopoulos, and Catherine Salée feature in the Abdellatif Kechiche-directed film.
My Days of Mercy
Lucy is a young woman who is protesting the death sentence with her siblings Martha and Ben across America. Because his father, Simon, is on death row for allegedly murdering his wife, he has a personal incentive to protest.
He disputes the claims against Simon, and his children are always in his corner. During a demonstration pitting supporters and opponents of the death penalty, Lucy encounters a woman named Mercy. The love-struck couple’s relationship must pass a rigorous test.
The family of Dolio, a 26-year-old lady, is impoverished and robbed. As a result, Old Dolio is a robber and a con artist. The family, who earn a living off returned products and frauds, named their daughter after a homeless woman who had previously won the lottery simply so she could participate in her inheritance.
Old Dolio is a peculiar woman who grew up in an irresponsible and unloving family. They want to fly to another city for a fraudulent scheme and then pretend they don’t know each other on the way back, rummage through their bags, and cash in on their travel insurance; it all comes to a head when their family meets another girl on the way.
Portrait of a Lady on Fire
At Cannes, it was critically lauded and extensively discussed “This is a first-rate masterpiece. It’s the ideal composition for this year’s premiere.” The film, which has been hailed for its words, relates the narrative of his love for an artist’s model in the 18th century.
Marianne is commissioned to paint a portrait of Hélose, a young woman who has recently left the convent and is preparing to marry. Marianne, on the other hand, must draw this portrait without being aware of Hélose.
To get over this constraint, Marianne observes and then approaches the reluctant bride-to-be, Hélose. With Tomboy, which she directed, and The Life of the Pumpkin, whose screenplay she created, we know director Céline Sciamma, who was inspired by women painters who had been overlooked for generations and whose works had been forgotten.
Chan-wook Park’s latest film, Ah-ga-SSI, is named “The Handmaiden” abroad, while ours is “The Maid.” Although the words are similar in English and Turkish, Ah-ga-SSI means “young woman” and represents the master rather than the servant.
The film is based on the master’s endeavor to liberate rather than the life of the servant, which is the first distinction. With the words and visuals it reveals about an aunt’s niece, a master’s servant, Japan’s to Korea, and maybe most crucially, a man’s dominance of women, we are confronted with a film that flips cliches on their heads.
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Check: 8 Best Sapphic Movies On Hulu To Watch During Pride Month